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By Nick Smedley

The New Deal brought sweeping social, political, and cultural swap around the usa, which Hollywood embraced enthusiastically. Then, whilst the heady idealism of the Nineteen Thirties was once changed by means of the paranoia of the postwar years, Hollywood grew to become a simple objective for the anticommunists. A Divided global examines many of the very important courses of the recent Deal and the following reaction of the movie community—especially in terms of social welfare, women’s rights, and overseas affairs. The publication additionally offers an research of the main works of 3 eu directors—Billy Wilder, Ernst Lubitsch, and Fritz Lang—compared and contrasted with the goods of mainstream Hollywood. it is a new interpretation of an influential interval in American movie heritage and it truly is guaranteed to generate extra debate and scholarship.

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Extra info for A Divided World: Hollywood Cinema and Emigre Directors in the Era of Roosevelt and Hitler, 1933-1948

Sample text

Women, particularly married women, were discouraged from taking jobs at a time when, it was argued, men could not find work. Popular journals alleged that wives who worked were abandon ing their domestic responsibilities and losing their femininity. ,.. This disj unction between popular culture and social reality- in which Hollywood cinema played an active part- is instructive. Rather than reflecting the new circumstances ofincreased female economic importance, the cultural industries sought to neutralize unwanted social change by criticizing its manifestations.

The insistent hostility towards women found many outlets, from the learned writings of sociologists to popular magazines and advice journals. Hollywood participated in this cultural trend as an influential mouthpiece for sustained criticism of women's rights. In the 1930s its films reflected the revival of the Victorian cult of domesticity: in the 1940s the films expressed much harsher abuse of women, characteristic of the increased sexual tensions in that decade. In this, Hollywood was responding to a wider social trend.

L euchtenburg, Frank/iu D. Eivaine. nt Depression, has a weiJ balanced assessment. The New Left reappraisal in the 1960s, which saw the New Deal as failing to implement the necessary structural reform of capitalism, is stated by Barto n J. Bernstein. ). Towards a New Past: Dissenting Essays ill America11 History (New York, 1968), 263-288. Romasco, Tire Politics of Recovety. shares this assessment of the New Deal achievements as "conservative'. 'Ibe essays in Braeman et al. (eds), 'flw New Deal, accord grudging approval to the New Deal.

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